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director Jason Reitman and screenwriter Diablo Cody. I had depression for the first time in my life shooting this film. Getting back to normal took a long time CH: I saw you at the amf AR awards. That exhaustion, the way you feel about your body, the way your face changes. I was always aware that there are so many children in this world who don’t have families. Going through the tantrum stages when they’re such little assholes. CH: And you coparent with your mom, Gerda, which is nice. I would feel pretty alone if I didn’t have a partner in crime in all of this. But I struggled mentally through the adoption process.
Reitman discussed how the three films followed the writer-director team through their own life stages.
Every once in a while, I do something crazy, like , but that’s more rare for me now. Is there any part of you that feels like you’re missing out on something by not having your own biological kids?
It’s strange to me that people still go, “Oh, this is such a nice surprise! After 25 years, I’ve been consistently trying to explore real people.
“I think they’re all somewhat autobiographical,” he said, going so far as to talk about how the films actually work together.
“After three movies, they have this kind of connective tissue between all of them.